The Odd Couple: Conversing and Connecting Over Time - Annual Postgraduate Symposium

Thu May 16 2019 at 10:00 am to 05:15 pm
The Courtauld Institute of Art, Vernon Square Campus, Penton Rise, London, United Kingdom

The Courtauld Institute of Art, Vernon Square Campus, Penton Rise, London, United Kingdom

Created By:
The Sackler Research Forum, The Courtauld Institute of Art
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The Courtauld’s Postgraduate Research Symposium is a platform for third-year doctoral candidates to present their research to their peers, the wider scholarly community and the public. The symposium showcases the breadth of research being undertaken at the Courtauld in both art history, and conservation and technology.  This conference provides a place to consider how the cohort has been collectively addressing critical challenges and new directions for the History of Art.

09:30–10:00Registration

10:00–10:05Opening statement

10:05–10:55Session 1: Buildings and Images

Chair: Maggie Crosland

Yeonjoo Hahn: WALL PAINTINGS IN BUDDHIST TEMPLES OF SOUTH KOREA: A CONSERVATION ASSESSMENT

Costanza Beltrami: PERSUASIVE COLLABORATION: JUAN GUAS AND ARCHITECTURAL DRAWING IN FIFTEENTH–CENTURY CASTILE

Q&A                                                 

10:55–11:45Session 2: Workshops and Artistic Methods                                                                  

Chair: Éowyn Kerr-Di Carlo

Giulio Dalvit: HIDDEN SIGNATURES. AN EARLY, PSEUDO-GREEK EXAMPLE FROM SIENA

Patricia Smithen: THE ACRYLIC SITUATION

Q&A                                   

11:45–12:15Coffee Break

12:15–13:05Session 3: Friendships   

Chair: Ambra D'Antone

Cathy Corbett: “OUTDOOR SCULPTURE IN ITS NATURAL SURROUNDINGS”. OSSIP ZADKINE, EDWARD WADSWORTH, AND ZADKINE’S FIGURES IN THE GARDEN

Adriana Concin: THE MEDICEAN PORTRAIT COLLECTION BEYOND FLORENCE: ITERATIONS AND INTERPRETATIONS OF A FLORENTINE MODEL IN SIXTEENTH-CENTURY AUSTRIA

Q&A                                                                     

13:05–14:05Lunch

14:05–14:55Session 4: Art and Politics           

Chair: Francesca Wilmott 

Talitha Schepers: PERCEIVING PROCESSIONS: DIPLOMATIC RITUAL AT THE OTTOMAN COURT

Soo-Young Leam: LEE SEUNG-TAEK’S “PRIVATISED SITES” AND THE POLITICS OF INTERVENTION

Q&A                                                                                     

14:55–15:25Tea and coffee                 

15:25–16:15Session 5: Seeing the Invisible, Representing the Unpresentable               

Chair: Harry Prance

Amarilli Rava: READHESION INTERVENTIONS ON WALL PAINTINGS: ASSESSMENT OF PENETRATION, DEPOSITION AND RESPONSE TO RELATIVE HUMIDITY

Teresa Lane: ‘O MAN, LISTEN TO THE POOR LITTLE FORM OF A WOMAN SPEAKING TO YOU’: MEDIEVAL FEMALE VISIONARIES REVEAL THE TRINITY

Q&A                                                                                                                     

16:15–17:05Session 6: Making Meanings    

Chair: Silvia Rita Amato

Oliver Mitchell: RETHINKING THE WHEEL OF FORTUNE IN MEDIEVAL ART

Lan Pu: CONNECTIONS IN THE MAKING AND MEANING OF THE ART OF BHUTAN AND TIBET IN THE 17TH AND 18TH CENTURIES: A STUDY OF THE WALL PAINTINGS OF TANGO MONASTERY

Q&A                                                                                                                                             

17:05–17:15Closing statement: Professor Caroline Arscott                                                                 

17:15

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Created By:
The Sackler Research Forum, The Courtauld Institute of Art
Spread the word